WONDERFUL TOWN

By Joseph A. Fields, Jerome Chodorov, Leonard Bernstein, Betty Comden and Adolph Green

2006


Directed By Bill Berry
Musical Direction by Joel Fram
Choreography by Jamie Rocco

"Wonderful Town," is a 1953 musical with a book by Joseph A. Fields and Jerome Chodorov, music by Leonard Bernstein and lyrics by Betty Comden and Adolph Green. The musical was the first collaboration between Bernstein, Comden and Green. They went on to also create “On the Town”.

The musical unfolds the tale of two sisters, each nurturing dreams of becoming a writer and actress, as they embark on their quest for success from their humble basement apartment in the vibrant heart of New York City's Greenwich Village.

The musical production drew its inspiration from Fields and Chodorov's 1940 play, "My Sister Eileen," which, in turn, originated from autobiographical short stories penned by Ruth McKenney and initially featured in The New Yorker during the late 1930s.

Cast

Ruth Sherwood………………….Sarah Rudinoff
Eileen Sherwood………….……Billie Wildrick
Robert……………………………………….Timothy McCuen Piggee
Helen…………………………………………..Nicole Boote
Wreck…………………………………..…….Brandon O’Neill
Frank…………………………………….…….Chad Jennings
Mrs. Wade……………………………...Carol Swarbick
Appopolous………………………….David Pichette

Ensemble

Greg Michael Allen, David Alewine, Neil Badders, Matthew Bariletti, E. Scott Brating, Evan Bryant, Kari Lee Cartwright, Marc delaCruz, Ann Evans, Brigitte Graf, Richard Gray, Jayme McDaniel, Stacee Nault, Matt Owen, Maya RS Perkins, Bhama Roget, Pamela Turpen and Katie Young

Reviews

Sarah Rudinoff walks away with this show. She's perfectly cast as Ruth and Betty Comden and Adolph Green's witty lyrics are a fine vehicle for Rudinoff's comic genius. She flavors her delivery with a dash of self-mockery, holding back until the magic moment when she pulls out the stops and takes us along for a gleeful ride. She can hardly raise an eyebrow without sending the audience into peals of laughter.”

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Kelly Huffman, Seattle P-I

“The unbeatable Sarah Rudinoff, totally makes the role her own… she makes even the script’s saggier jokes and conceits come alive again, hits a homer on her first solo, ‘One Hundred Easy ways to Lose A Man,’ and keeps on hitting em throughout, whether holding a giddy group of Cuban sailors at bay in the riotous ‘Conga’ or selling customers on paying admission to a Greenwich village club in the serendipitous ‘Swing.’ Beneath all the brashness and bravado, Rudinoff shows us a Ruth who has a seldom-seen tender side in a reprise of the ballad 'A Quiet Girl.’”

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David-Edward Hughes, Talkin’ Broadway

Gallery

Pre-Production Photos by Bootsy Holler
Production Photos By
Chris Bennion

Backstage Gallery